Many photographers take amazing pictures, dominate all camera settings and settings, frames, compositions, but when it comes to that final touch of photo editing or using a photo enhancer, they spoil everything. On the contrary, many people miss the effects of the image at the time of final editing. Other people (most of whom do not know how to tinker with editing programs) say they prefer not to handle the photo, to preserve the original image.
In spite of this speech, as long as photography exists we find ways to move in to get the best message or create a style of its own. This is only an exception in photojournalism, and even then, it does not hurt to increase the contrast or decrease the noise. From the moment you choose a photo quality enhancer, the angle and framing of an image, you are manipulating reality, so use weightless editing in consciousness.
What Is Photo Editing For?
It is ideal to highlight some element that is already good in your photo, or to convey a style of your own, defining a visual identity to the photographer.
What To Avoid When Editing Photos?
- Do not count on the edition to remove elements of the image that you could have personally adjusted.
- The editing is not cool when you fall into a confused state, this makes your photos clichés, boring and takes the credibility of any photographer.
- Do not exaggerate wanting to leave the perfect photo because the art edit is to make the photo presentable, better convey information. If the effect calls more attention than the picture, you may know that you are on the wrong path.
What Can I Do When Editing?
Crop and align: If some elements on the sides are not making sense to the image, do not think twice before cutting them from the photo. This causes the picture to lose quality a little, but if it is for the benefit of the primary element of the photo, cut it down no matter what.
Alignment: One of the greatest wonders of post-production is adjusting the alignment. Everyone knows how difficult a perfect alignment is, sometimes a blur or another spoils the photo and in many cases, alignment or other in the edition saves your photo in an incredible way.
Histogram: It is a graph that shows in detail the lighting information of the photo. Using it, you can know how many pixels in the photo are formed by shadows, lights, and mid tones. It is a computer, which takes each pixel of the photo and measures the luminosity, forming an entire histogram.
Dynamic Range: If you are in a bright spot that the camera cannot capture the image or the miraculous adjustments of your digital camera, you can solve this in the editing, darkening the image until it is good to be viewed.
Contrast: Contrast is the simplest to add, and you can control it to intensify clear and dark areas of the image. Just pay attention, because what’s dark gets darker as you increase the contrast, and what’s clear gets even more evident. A picture with optimal contrast conveys a vivid, dramatized image idea, while one with less variation appears light, smooth. Choose what you want to transmit and pass your message by adjusting the contrast of the photo.
Vignette: It is responsible for that darkened effect at the edges of the image, which is naturally caused by the optics of the camera lens, but can be applied as an effect at the time of editing, highlighting the centre of the image. This effect is perfect when the main subject is in the centre, and you want to highlight it. Just be careful not to overdo it and get too stressed.